Void Moon ***

*** Void Moon, Michael Connelly, 2000

Connelly's third non-Bosch novel is the first to tell a story from the perspective of a crook, Cassie Black. Interestingly, law enforcement is almost invisible in this novel, making only token background appearances.

It's a good story, well put together, and Cassie is a very sympathetic character, despite her larcenous ways. I guess it helps that her victims are fairly despicable in their own right. In fact, you're hard pressed to find a good guy. Her partner is a pretty good guy, considering he's a career crook, her parole officer is good, and . . . well, I'm sure I'll think of another one. Give me some time.

I'm still very partial to Harry, but this is still a book worth reading. Have I convinced you to picke up a Connelly book, yet?

Muffin Man Draft 2

Leave a comment with an up/down vote. Imagine you're in a bookstore and you picked up this book and read the first page as follows. Would you:

1. Turn the page.
2. Put the book back on the shelf.

Note: Draft 2 is history. Now you can read the first 26 pages here.

To get on the list to learn about new novels, send an email to BradNotes@BradWhittington.com.

The To-Be-Read Shelf

I took a post-Xmas accounting of my to-be-read shelf. There are 47 books up there, along with the 5 I'm currently reading. It's getting crazy. If I don't buy another book this entire year, I might clear it out. Fat chance.

Angels Flight ***

*** Angels Flight, Michael Connelly, 1999

Starting out the year with more goodness from Connelly. Just when you think Bosch's relational tensions had been solved, think again!

I remembered much of this one, but misplaced the ending in my pea brain. However, it was just as good as a re-read as it was the first time. Although I did get a little annoyed (and amused) with the clumsy and not completely accurate explanation of how the internet works by Kiz Rider.

One thing I like about Connelly is how he is not afraid to waylay his running characters. No one is safe in a Harry Bosch novel!

Muffin Man

Note: Draft 1 is history. Now you can read the first 26 pages here.

Who gets to call himself a writer?

A recent post at the Kill Zone blog prompted this post.

In my view, all you have to do to be a writer is to write.

Writer at Dictionary.com

I’ve noticed that many of those who object to that view express their disagreement in terms of how it makes them feel, and particularly in terms of what they perceive in the unworthy claimants to be lack of sufficient motivation, seriousness, or dues paid. They typically draw some subjective finish line that in their mind demonstrates a person has the requisite motivation, seriousness, or pain. A line that they themselves have already crossed, of course.

My view is that writers should take words more seriously. We shouldn’t create arbitrary definitions based on perceived threats to our self-image any more than a lawyer should re-frame a precedent to avoid looking bad during closing arguments.

Do we allow only Jack Nicklaus, Bobby Jones, Arnold Palmer and their ilk to call themselves golfers, or does the guy who plays an occasional 9 and a full 18 on the weekends get to call himself a golfer?

Do we allow only Andres Segovia, Julian Bream, Joe Satriani and their ilk to claim to be guitarists, or does the guy who plays songs in his home for his own enjoyment and to entertain his kids get to call himself a guitarist?

In my humble, but accurate, opinion, anyone who expresses thoughts in the written word is a writer. As writers do, we can affix adjectives to qualify that appellation, such as casual, serious, deluded, professional, regrettable, accomplished, award-winning, best-selling, published, unpublished, or even the admittedly annoying, pre-published.

But we should respect the language, the process and the end result more than to stoop to redefining words based on self interest.

Quote from Mike Mason

From The Mystery of Children by Mike Mason:

Children and stories are inseperable because children live stories. Adults live in their heads, relentlessly analyzing. But children experience life directly. To children life is a story in which they are the main character.

Adults, not content simply to be characters, want to be the author of their story. Being part of the story means surrendering control, but we like to think we can control our world, or at least a good chunk of it. At the very least we'd like to control our children!

Children know (or at least better than adults) that they have little control. They know they're not in control of their story, that they are not the author. To a greater or lesser extent, life simply unfolds for them. Only gradually do they enter into the state of self-realization wherein their actions become more conscious and deliberate.

To be a little child is to believe implicitly in good and evil, in heroes and villains, in the invisible, in miracles and mystery, in princess and dragons, in true love and in happy endings. To be a child is to be caught up in pure story, embracing the events of one's life uncritically because one trusts the Author.

The Art of Fiction ****

**** The Art of Fiction, John Gardner, 1983

Although I read the excellent On Becoming a Novelist many years back, somehow I missed reading this one through the years. The first thing I read of Gardner was Grendel. It's a short little book from the POV of the monster in Beouwulf, and it will take the top of your head off and spin it around like a buzz saw. I tried reading Nickel Mountain two or three times, but could never get past the second chapter. I'm currently reading a biography of Gardner on the elliptical. Pretty good.

The Art of Fiction is worth re-reading several times. It's not so much of a how-to workbook, although he does get into great detail about writing poetically, down to examining in detail outlining the metrical stress of sentences. It's more of a higher level survey of what and what. Although Gardner was an academic and an expert in medieval literature, and could get pretty highbrow in his analysis and criticism, he quotes from a broad range of works, from Homer to Howard the Duck.

If you're serious about writing, you should read this book.

Two firsts on 1/1/11

Remember that post about the guy writing a novel on Twitter? Turns out sections of it were quoted in the press release for the novel. That's one first - never been quoted in a press release before. But the other first is being called a humorist. Wow, I've graduated!

Here's the relevant excerpt:

Novelist and humorist Brad Whittington admits to a fascination with Palmer’s concept. But he’s not sure it will work.

“In my humble (but completely accurate and independently verified) opinion, Adam is stark-raving mad,” Whittington said.

“For me, the thought of putting my first draft out there for public consumption is mind-numbingly, soul-crushingly, spirit-suckingly horrific,” he said. “I’d rather pose nekkid for Field & Stream.”

Full release here.

2010 Reading List

1. *** Pulp Fiction, Quentin Tarantino & Roger Avary
2. ** Adventureland, Greg Mattola, August 5, 2007
3. ** Morality for Beautiful Girls, Alexander McCall Smith, 2002
4. *** Wodehouse: A Life, Robert McCrum, 2004
5. *** Two O'Clock Eastern Wartime, John Dunning, 2001
6. ** In Dubious Battle, John Steinbeck, 1936
7. *** Good Night, Mr. Holmes, Carole Nelson Douglas, 1990
8. *** Florence of Arabia, Christopher Buckley, 2004
9. *** Songwriters on Songwriting, Paul Zollo, 2003
10. *** Thank You For Smoking, Christopher Buckley, 1994
11. *** Food, Ogden Nash, 1989
12. *** Supreme Courtship, Christopher Buckely, 2008
13. *** Zoo, Ogden Nash, 1987
14. *** The Overlook, Michael Connelly, 2007
15. *** Selling Your Story in 60 Seconds, Michael Hauge, 2006
16. ** Walker Percy: A Life, Patrick Samway, 1997
17. *** The Beekeeper's Apprentice, Lauren R. King, 1994
18. *** Velocity, Dean Koontz, 2005
19. *** Alphabet Juice: The Energies, Gists, and Spirits of Letters, Words, and Combinations Thereof; Their Roots, Bones, Innards, Piths, Pips, and Secret Parts, ... With Examples of Their Usage Foul and Savory, Roy Blount, Jr, 2008
20. *** The Black Swan: The Impact of the Highly Improbable, Nassim Nicholas Taleb, 2007
21. **** Mere Churchianity, Michael Spencer, 2010
22. *** Wry Martinis, Christopher Buckley, 1997
23. ** To A God Unknown, John Steinbeck, 1933
24. ** Passage, Connie Willis, 2001
25. *** Out Stealing Horses, Per Petterson, 2003
26. *** Revision & Self-Editing, James Scott Bell, 2008
27. *** Sh*t My Dad Says, Justin Halpern, 2010
28. *** The Red Pyramid, Rick Riordan, 2010
29. *** Rebel Island, Rick Riordan, 2007
30. *** The Cure, Athol Dickson, 2007
31. The Blue Umbrella, Mike Mason, 2009
32. *** Tribes, Seth Godin, 2008
33. *** Goodbye Hollywood Nobody, Lisa Samson, 2008
34. *** Mucho Mojo, Joe R Lonsdale, 1994
35. ** The Furniture of Heaven, Mike Mason, 1989
36. ** Wonder o' the Wind, Phillip Keller, 1982
37. *** Mowhawk, Richard Russo, 1986
38. *** The Scene of the Crime: a writer's guide to crime-scene investigations, Anne Windgate, Ph.D, 1992
39. ** Freezer Burn, Joe R Lansdale, 1999
40. * The Island of the Day Before, Umberto Eco, 1994
41. *** Plot & Structure, James Scott Bell, 2004
42. *** Don't Point That Thing At Me, Kyril Bonfiglioli, 1972
43. ** Levi's Will, W. Dale Cramer, 2005
44. *** Bridge of Sighs, Richard Russo, 2007
45. ** After You With The Pistol, Kyril Bonfiglioli, 1974
46. *** The Black Echo, Michael Connelly, 1992
47. ** Something Nasty in the Woodshed, Kyril Bonfiglioli, 1979
48. *** The Black Ice, Michael Connelly, 1993
49. **** The Help, Kathryn Stockett, 2009
50. *** The Concrete Blond4, Michael Connelly, 1994
51. *** Treasure Island, Robert Louis Stevenson, 1883
52. *** The Last Coyote, Michael Connelly, 1995
53. ** Levi's Will, W. Dale Cramer, 2005
54. *** The Poet, Michael Connelly, 1996
55. *** Inbound Marketing, Halligan and Shah, 2009
56. ** The Road, Cormac McCarthy, 2006
57. *** Trunk Music, Michael Connelly, 1997
58. *** Robertson Davies: Man of Myth, Judith Skelton Grant, 1994
59. *** Champagne for the Soul, Mike Mason, 2003
60. *** Blood Work, Michael Connelly, 198
61. *** The White Tiger, Aravind Adiga, 2008
62. ** The Sign of the Book, John Dunning, 2005
63. *** The Lost Hero, Rick Riordan, 2010