*** The Overlook, Michael Connelly, 2007
I made the mistake of reading the next one before writing this review, and now I've forgotten I thought of this one. I do remember reading and enjoying this one the first time around and it was just as enjoyable the second.
I was surprised that Bosch was out of Open Unsolved and into a special homocide squad. No explanation given for that.
It is satisfying to see Bosch put the FBI agents in their place, but I would imagine Connelly is not a satisfying read for an FBI agent. Heh. He cuts them no slack whatsoever.
Bosch has a regular habit of sneaking files. So did McCaleb. I wonder how common that is, for cops and agents to make private (illegal) copies of case files for persuing a case they're not officially on. If your view of how driven detectives work was based on Bosch, you'd think it was the natural thing that done on a regular basis. But I would imagine it's extremely rare. But what do I know?
Coming up, Haller and Bosch duke it out. Woohoo!
Bosch is back. What's more, Connelly is back, so nobody is safe. You never know which of his characters might be taken down or busted. As usual, you get a lot of the scenery of LA. This time I actually pulled up some of the places on Google Maps to get a feeling of the layout of Echo Park and other locations in the book.
Life intervened and I forgot all about this movie until the
The Lincoln Lawyer takes you on a great ride. I almost gave it 3.5 stars, but I felt like I was being disloyal to Bosch, so I left it at three. ;-) I remembered a lot about this going in and still loved every second of it. Haller is a protagonist every bit as engaging as Bosch, and maybe even more so, since he's not afflicted with Bosch's petulance, which he seems to be leaving behind, perhaps.
Stop the presses! Hold the phone! Buckle your garters!
Bosch is back in the saddle, back in third person POV, and seems to actually be going beyond his self-limiting reactionary ways to a greater level of maturity. There's a shock early on as Connelly brings in a character from numerious previous books in an adversarial role that really gets things going. Nice payoff on that one at the end. There's high jingo on this one, and you know what that means.
I think this is the first Bosch novel in multiple POVs. Well, The Poet had occasional switches to the antagonist's POV, as this one does, but not having half the novel in a different POV.