*** Trunk Music, Michael Connelly, 1997
Back to to Bosch and some interesting twists. Although I did see the first twist from a long way away. But Connelly is still the king of maintaining tension. I wonder if he gets tired of making Bosch always choose the adolescent, self-destructive way of dealing with things. I kind of felt that when he does something particularly juvenile and his new boss, Billets, asked him "Why don't you grow up and quit these little pissing wars?"
But still good stuff.